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I am a portrait and documentary photographer and videographer who specializes in producing videos in a cinematographic language.

I studied audiovisual communication, filmmaking, screenwriting, and photography at UNIACC, Santiago, Chile. I have worked as a director, photographer, and cinematographer for private companies, including Merck Sharp & Dohme,  government agencies, (The Foreign Affairs Department of Ecuador), and non-profit organizations in Chile, Ecuador, Guatemala, Mexico, Japan, and the US.

I am fluent in Spanish, French, and English.

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Thomas Alfred Stanley. Former Lake Ranger for Muskingum Watershed.
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Thomas Alfred Stanley. Former Lake Ranger for Muskingum Watershed.
4 months ago
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1/18
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4 months ago
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2/18
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
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Hurricane Milton. Family and friends have asked me about the hurricane experience, and also to post some photos! These are pictures I took "near" our neighborhood, after having the car looked in the garage for 1 1/2 days. Thankfully we didn't have any serious damage, but the whole experience is a very particular one, since you have to prepare awaiting for worst, hopping for tge best, until you are in the medle of it to face whatever outcome is your luck. ====================== #hurricanemilton #treesfalling #tampamilton
5 months ago
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3/18
…………………………………………… #analoginspo #analogism #mezcal #singer #musicianlife @asmithmusic21 #beauty #womanstyle #mezcallovers
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…………………………………………… #analoginspo #analogism #mezcal #singer #musicianlife @asmithmusic21 #beauty #womanstyle #mezcallovers
6 months ago
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4/18
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8 months ago
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5/18
Camera language & montage to the service of the story.
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Camera language & montage to the service of the story.
1 year ago
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6/18
Commercial Brand Building.
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Commercial Brand Building.
1 year ago
View on Instagram |
7/18
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
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Throwback to when I used to direct for Camara Oscura Productions in Ecuador. The day of this shooting was one full of things that didn't work as they supposed. "curiously in this field" First shot and we couldn't set the camera at the right angle. In picture 1, cinematographer Pilar Perdomo, and I discussed how to gain more perspective. It was a very tilted-up shot I remember, but because the dolly was so tight between the stage and the first row of seats in which I appear leaning, the perspective seemed too exaggerated on camera, so much, that we couldn’t see the actor's face, and we couldn’t move the camera backward to gain angle. After a moment of trying to see options, the key grip on the left side of the picture came up to me and said, -"What is the problem, Alfredo?" I said, "We can't get the camera at the right angle, and tilting down does not help" Then he said, -"Do you have time?" I said, - "What for?” And he said, -"Because we can take the whole row of seats off" So I said, -"How much time do you need?" He said, -"15 minutes" To which I responded, - "Do it" They got 2 electric screwdrivers, and at the best Formula One style, they took the whole front row of seats off, and we were finally able to move the dolly back and set up the first shot. Today I look back and think how important is to work with a crew that comes out with solutions that help to solidify the work you finally see on screen. It is always a team effort that produces the magic on the screen.
1 year ago
View on Instagram |
8/18
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
Cinematography for a tattoo artist interview.
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Cinematography for a tattoo artist interview.
1 year ago
View on Instagram |
9/18
Location Scouting.
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Location Scouting.
1 year ago
View on Instagram |
10/18
The whisper of light. #portrait #boudoirstudio #woman #nud #model #portraitphotography #sensuelle #sensual_shot #sensuallity #highcontrast #beauty @insomniamagazine
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The whisper of light. #portrait #boudoirstudio #woman #nud #model #portraitphotography #sensuelle #sensual_shot #sensuallity #highcontrast #beauty @insomniamagazine
1 year ago
View on Instagram |
11/18
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1 year ago
View on Instagram |
12/18
#blackandwhiteportraits #tampaphotographer #tampacinematographer #tatoogirl #tatooportrait
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#blackandwhiteportraits #tampaphotographer #tampacinematographer #tatoogirl #tatooportrait
1 year ago
View on Instagram |
13/18
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
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Entropy. dystopian location scouting. This building evoked me ideas about distant, unclear events that existed in different ways in contexts of which I have not images or related memories to associate with. It is an old abandoned train station and dock that got out of service and was later affected by a 9-degree Richter scale earthquake. #locationscouting #filmscouting #cinematographylife #dystopian #scoutingphotography #onlocationshoot
1 year ago
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14/18
Weightless Muse #womenportraits @lensculture @canonusa #studiophotographyworkshop
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Weightless Muse #womenportraits @lensculture @canonusa #studiophotographyworkshop
1 year ago
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15/18
Fuego Verde.
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Fuego Verde.
1 year ago
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16/18
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1 year ago
View on Instagram |
17/18
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1 year ago
View on Instagram |
18/18

About

My name is Alfredo Nunez. I am a video producer and photographer. I produce graphic images and cinematic-style videos for organizations and commercial entities.

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